Celebrate a Century of The Great Gatsby With a Professor Who’s Read It 100 Times
In April, Georgetown professor celebrated the 100th anniversary of The Great Gatsby by F. Scott Fitzgerald the best way she knows how – by rereading the novel.
“Just to freshen my grasp on it, because it is kind of an elusive novel,” Corrigan says. “And I don’t get tired of rereading it. I always feel like I’m rewarded by rereading it. It’s not just this kind of mechanical exercise. It’s a pleasure.”
Corrigan would know.
She is the Nicky and Jamie Grant Distinguished Professor of the Practice in Literary Criticism in the Department of English and an expert on Fitzgerald’s work. She’s lost count of the number of times she’s read the book, but it is well over a hundred. Corrigan is also and author of So We Read On: How The Great Gatsby Came to Be and Why It Endures.

Maureen Corrigan is the author of So We Read On: How The Great Gatsby Came to Be and Why It Endures.
For Corrigan, who teaches about Gatsby and Fitzgerald’s writing in her Fitzgerald & His Circle class, the novel is freshly topical. In an , she wrote that “great works of art are great, in part, because they continue to have something to say to the present.”
Gatsby, Corrigan says, is “both timeless and time-bound.”
The novel is set in New York City after a large wave of immigrants arrived to the city from Europe between 1880 and 1920. During that period, Corrigan says, there was a sentiment shared among some residents that the city should not accommodate the immigrants. There was also, she adds, a nervousness about the internal migration of African Americans from Southern rural areas into the city.
“You see that in the novel, and that feels very much of our time, where you’ve got this nativist sentiment,” Corrigan says.
In short, we’re living in the age of Tom Buchanan and the bullying that he embodies, she explains, referring to a character in Gatsby who espouses racist views and eugenics.
Corrigan calls Gatsby the “first modern great American novel” because of the book’s accessibility and its use of ordinary language. She also says Fitzgerald’s classic is “our great American novel that foregrounds class” for the way it poignantly illuminates truths about human aspiration.
It celebrates the American Dream of meritocracy, that everybody has a shot at making it in America. And at the same time it really shines a light on the deadly undertow of that American Dream.
Maureen Corrigan
Each year, countless students read Gatsby as part of their schools’ curriculum. More than 30 million copies have been sold, , and there have been several film and theater adaptations of the novel. Corrigan is a literary consultant on the musical production, .
But when The Great Gatsby was published on April 10, 1925, the novel was considered a commercial disappointment, and Fitzgerald died in 1940 believing that the book was unpopular.
The author would be stunned at the reception on the book’s 100th anniversary.
“I think he would be so overwhelmed and touched and speechless. I mean, when he died, the last royalty check was for $13.13. If that isn’t a warning about becoming a writer, I don’t know what is,” Corrigan says. “He knew he had written something great, and he knew nobody was reading it, and that was heartbreaking.”

Corrigan teaches about Gatsby and F. Scott Fitzgerald’s writing in her Fitzgerald & His Circle class.
Gatsby endures because it tackles still relevant questions about how Americans see and define themselves. In many ways, Corrigan says, the title character of Jay Gatsby exemplifies the striving and yearning for something beyond ourselves.
“What is this yearning that maybe we can imagine is distinct to America? This yearning for something more,” she says.
Many anniversary celebrations around Gatsby center around the Roaring Twenties and flapper outfits. But those events misinterpret the novel, Corrigan says. It’s not about the parties.
Instead, those wishing to honor Gatsby and Fitzgerald should pick up a copy of the novel and read it – for the first or 100th time. Read some of Fitzgerald’s letters, Corrigan recommends.
“He’s one of the best letter writers ever in American literature,” she says. “He’s so present on the page in his letters.”
Corrigan also suggests reading Fitzgerald’s essays published posthumously in The Crack-Up.
And for those in the DC area, Fitzgerald has a local connection. He and his wife, Zelda Sayre, are both buried at the cemetery next to St. Mary’s Church in Rockville.
Corrigan still learns something new from Gatsby each time she reads it. She hopes that in some way, Fitzgerald knows of the impact the book has made.
“At the end of the novel, we hear about man’s yearning for something commensurate with his capacity for wonder,” Corrigan says. “We all want to find something like that, don’t we?”
–Kelyn Soong
(Photos by Joshua Rodriguez)